Ratatouille

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Don’t laugh, but I’ve gained some insight (or maybe reassurance) about wine from watching some of Samuel’s movies. Ratatouille is one of them that I will blog about someday, but the other more recent one is Shirley Temple’s Heidi. I said, don’t laugh. I leave it to the interested reader to learn what the movie is about, but regarding wine it’s the movie’s setting that interests me.
Even though it’s a Hollywood set it shows a turn of the 20th Century alpine Germany, and what struck me about the houses, clothing, storefronts, food, customs and so on is how unfamiliar and non-global those places (and all places) used to be. It doesn’t feel like that anymore; you have to travel far from the well-worn path to find it. Wine used to be the same way. Every village, every vigneron, might grow their own grape variety and certainly would make wine in their own individual style. People were isolated and the wines showed it. Not anymore.

I’m not reminiscing about bygone times, but I do believe the truly special wines are those that attempt to do no more than be from one vineyard and one person without a care for the global cacophony around them. That probably sounds old fashioned and provincial, and maybe it is, but that’s the only way to find the unfamiliar and the exciting.

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I was very nervous what Josh, a friend of mine of over 20 years, would think of Gampo and Home Place, our wines he bought. Sure, one might expect a long-time friend like him to shower praise on any wine I would make, but not old Josh. Think Anton Ego, that hardened, pointy critic from Ratatouille, and that’s Josh. Well, he loved them. And that guy has drunk loads of fine wine.

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No critic has ever said it better:

“In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read.…[T]here are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations.” Anton Ego, Ratatouille

Yes, I took a quote from a movie about a rat who wanted to cook. If you’ve seen the film, you’d understand. Or maybe not. But if you’ve ever attempted to step out and do something new, be it enter a new industry or profession, run a race, hell, cook a soufflé, there will be those—critics— who cut you down, telling you you can’t because you’re not experienced enough, out of your league, don’t have what it takes, or, you’re not following the “club rules.”

I’m just perplexed as to why? (Wasn’t I perplexed in my last post, too? Is it the full moon? Or is it that time of year?!) Monsieur Ego provides some insight. Be you a professional critic or simply an armchair pessimist (like myself), there’s no risk when you criticize someone else. Read the rest of this entry »

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